Subscribe now! It looks like this is your first time visiting jeffmilner.com. If you like what you see, click here to subscribe! Add to Google

 
 

Malcolm Gladwell on The Advantages of Disadvantages

November 12th, 2008

In preparation for the release of his new book, Outliers, next week, Malcolm Gladwell has published an article, The Uses of Adversity, explaining that sometimes disadvantages come with unexpected advantages.

Writing about the piece afterwards, Gladwell expounded the approach that being an outsider, having a disability or coming from a social-economic disadvantage, can sometimes be exactly what one needs to succeed.

From Gladwell’s blog:

If dyslexia can—under certain circumstances—be advantageous, what are other disadvantages that can have the same effect?

In the article, I mention, in passing, the question of class size, and the data on class size is really quite fascinating. Time and time again studies fail to show any significant advantage to reducing the size of classes—except in the case of very poor children in the very earliest of grades.

This, of course, defies common sense. We know that teacher feedback is a big component in learning. So why wouldn’t learning be enhanced by lower teacher: student ratios? One answer might be that large classes are a disadvantage with advantages: that in coping with the difficulty of competing for teacher attention, kids learn something more important—namely self-reliance. This might also explain why the highest achieving schools—those in places like Japan and Korea—tend to have much larger classes than in the United States.

Aside from the many, many variables that might make comparing class sizes across nations and cultures difficult, I also wonder if teachers instructing inconsistently large or small classes might not be changing their styles to meet the particular needs of a particular class size. It stands to reason that one would teach a class of 10 quite a bit differently than a class of 30—however it’s also very understandable that teachers tend to teach the same way from lesson to lesson and stick to it—regardless of class size.

 
 

Late Bloomers

October 13th, 2008

Malcolm Gladwell’s new article Late Bloomers is up at the New Yorker.

Genius, in the popular conception, is inextricably tied up with precocity—doing something truly creative, we’re inclined to think, requires the freshness and exuberance and energy of youth. Orson Welles made his masterpiece, “Citizen Kane,” at twenty-five. Herman Melville wrote a book a year through his late twenties, culminating, at age thirty-two, with “Moby-Dick.” Mozart wrote his breakthrough Piano Concerto No. 9 in E-Flat-Major at the age of twenty-one. In some creative forms, like lyric poetry, the importance of precocity has hardened into an iron law.

Are you still a genius if it’s only later in life that you do anything truly brilliant?

Gladwell discusses the article in a podcast and will be answering reader questions about it later in the week.