The Bad Review Revue

Rampage: “Johnson’s big opportunity for a memorable one-liner comes and goes with a sheepish ‘Well, that sucks.’ Touché, ‘Rampage.'” — J. Olson, Cinemixtape

I Feel Pretty: “The only thing you’ll feel after seeing I Feel Pretty is pretty damn crummy.” — AJ Caulfield, The Young Folks

Super Troopers 2: “It could almost be considered a subversive indictment of law enforcement, not to mention lowbrow humor. Almost, that is, if it were remotely funny.” — Pat Padua, Washington Post

Blumhouse’s Truth or Dare: “This gasser of a schlocky horror film should only be experienced on a dare.” — Courtney Howard, Fresh Fiction

Duck Butter: “It feels like we’re seeing the director’s cut of an IKEA commercial.” — Owen Gleiberman, Variety

The Bad Review Revue

The Mummy: “You only have to watch the trailer to know that Producer-Director Alex Kurtzman’s reboot of Brendan Fraser’s once-charming mummy movies is full of embalming fluid.” — David Sims, The Atlantic

Pirates of the Caribbean: Dead Men Tell No Tales: “The subtitle of the new Pirates of the Caribbean movie is ‘Dead Men Tell No Tales.’ The moral of the movie, alas, is that the same cannot be said of dead franchises.” — Christopher Orr, The Atlantic

Baywatch: “Thank heaven for Dwayne Johnson, whose foot-wide smile will not be switched off, and who saves the life of the movie. Whether it deserves to be saved is another matter.” — Anthony Lane, The New Yorker

Snatched: “Snatched is a trip very much like the one it portrays: one that, in the end, does a pretty poor job of putting the ‘fun’ in ‘unrefundable’.” — Megan Garber, The Atlantic

The Bad Review Revue

Rings: “First you watch Rings, then you die…of boredom. And it might feel like seven days before the end credits too.” — Don Kaye, Den of Geek

50 Shades Darker: “Very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, very, boring.” — Liz Braun, Toronto Sun

A Dog’s Purpose: “It might be one of the most cloying and aggressively irritating films that I have ever been subjected to.” — Josh Kupecki, Austin Chronicle

Monster Trucks: “What if ‘monster trucks’ actually meant – wait for it – that there were monsters in the trucks? From an idea by a four-year-old (really), and it shows.” — MaryAnn Johanson, Flick Filosopher

Gold: “Gold is more of a bronze.” — Peter Howell, Toronto Star

The Bad Review Revue

The Girl on the Train: “My advice: disembark.” — Mike McCahill, MovieMail

Masterminds: “It’s just smart people acting like dumb people in a dumb movie.” — Matthew Lickona, San Diego Reader

Blair Witch (2016): “Even if there were no witches in the world, these idiots would probably get taken out crossing a busy street.” — Peter Hartlaub, San Francisco Chronicle

The Dressmaker: “‘The Dressmaker’ is only sew-sew.” — Stephen Whitty, New York Daily News

Suicide Squad: “The result is not so much Suicide Squad as Death by a Dozen Disappointments Squad.” — Christopher Lawrence, Las Vegas Review-Journal

The Bad Review Revue

Gods of Egypt: “Gods of Egypt is a movie that requires more effort to sit through than it did to make it.” — Will Leitch, The New Republic

Triple 9: “Worth the $15 to get out of the cold.” — Mike Ryan, Uproxx

Risen: “Risen never rises, if you will, above the material.” — Maitland McDonagh, Film Journal International

Crouching Tiger, Hidden Dragon 2: “Crouching Tiger, Hidden Dragon: Sword of Destiny isn’t so much a continuation as a Xerox copy with cheap toner.” — Jordan Hoffman, Guardian

Zoolander 2: “Stumbles down the runway like an overdressed supermodel with two left feet.” — Steve Davis, Austin Chronicle

The Bad Review Revue

Alvin and the Chipmunks: The Road Chip: “The next time the chipmunks make something together, I hope it’s a fur coat.” — Kyle Smith, New York Post

The Forest: “The clichés are so thick, sometimes you can’t see ‘The Forest’ for the cheese.” — Stephen Whitty, Newark Star Ledger

Point Break: “The new version of ‘Point Break’ is pretty dumb. But in other ways, it’s not like the original at all.” — Eric D. Snider, ericdsnider.com

Pan: “Given how much of Pan is frustratingly wrongheaded, the whole thing should have been given the hook long before it ever hit theaters.” — Christopher Lawrence, Las Vegas Review-Journal

The Himalayas: “If someone had pushed the film cans for The Himalayas off a mountain, we’d be all the better for it.” — Diva Velez, TheDivaReview.com

The Bad Review Revue

Entourage: “Once again, nothing happens, just for longer.” — Simon Miraudo, Student Edge

San Andreas: “Exactly the movie you suppose it to be, except in one, absolutely crucial regard: it’s weirdly allergic to fun.” — Tim Brayton, Antagony & Ecstasy

Aloha: “Between the lush tropical scenery and the beautiful faces in the cast, there’s plenty for the eyes, but not much for the brain.” — Todd Jorgenson, Cinemalogue.com

Poltergeist: “Monster House director Gil Kenan doesn’t desecrate the grave of the original, but nor does he offer any convincing reason to raise it from the dead.” — Mark Kermode, Observer [UK]

Home: “Home is where my heart wasn’t, at a screening where even children didn’t seem excited to be. The father snoring next to me had the right idea at the wrong volume. Hiding a catnap behind 3-D glasses only works if you don’t give yourself away.” — Steve Persall, Tampa Bay Times

The Bad Review Revue

Hot Pursuit: “It’s actually, actively worse than you think it’s going to be.” — Christy Lemire, christylemire.com

Paul Blart: Mall Cop 2: “If you find yourself in front of a screen where Paul Blart: Mall Cop 2 is playing you only have yourself to blame.” — Greg Wakeman, cinemablend.com

The Longest Ride: “You probably think The Longest Ride is about some mixture of young love and bull riding. If you think that, you are about half right.” — Mike Ryan, Uproxx

Get Hard: “The oft-repeated gags about prison rape and the frequent racial stereotypes become such a drag that solitary confinement might be a welcome break.” — Travis Hopson, Examiner.com

Little Boy: “A confused mess of Christian morality parading as entertainment, and one that no benevolent God would wish upon the world.” — Collin Brennan, Consequence of Sound

The Bad Review Revue

Unbroken: “Somehow, in searching for the most photogenic, dramatically harrowing and heroic scenes from Zamperini’s life, the movie ‘Unbroken’ gives short shrift to the most interesting parts.” — Sean Means, Salt Lake Tribune

Annie: “Leapin’ lizards! The evergreen Broadway musical ‘Annie’ strays far from its Depression-era roots with truly dismaying results in this crass, charmless, tineared and lead-footed update.” — Lou Lumenick, New York Post

Night at the Museum: “Let the dust finally settle on these museum pieces.” — Peter Howell, Toronto Star

Exodus: God and Men: “Now obviously the Voice of God is a tough role for any performer, let alone one who has not yet hit puberty. But where Scott detected innocence and purity, I confess I saw mostly an irritable petulance. (Moses: “Where have you been?” God/boy: “Watching you fail.”) This is the first portrayal of God I’ve ever encountered who looked like he could use a good spanking.” — Christopher Orr, The Atlantic

Horrible Bosses 2: “The new, decidedly inferior sequel has its share of chuckles, but it’s got none of that edge or anger. In fact, I’m not even sure why it’s called Horrible Bosses 2. It’s not really about bosses or office politics. Its only allegiance seems to be to the law of the sequel: It puts the same characters into a vaguely familiar situation, with diminishing, tepid returns. They should have just called it 2.” — Bilge Ebiri, vulture.com

The Bad Review Revue

Teenage Mutant Ninja Turtles: “Teenage Mutant Ninja Turtles doesn’t so much provide brainless enjoyment as it pummels the viewer into submission. ‘Shell-shocked’ is a reasonable description of the experience.” — James Berardinelli, ReelViews

The Expendables 3: “You need ‘The Expendables 3’ like you need a kick in the crotch, and while this running-on-fumes sequel may not be quite as painful a thing to experience, it will waste considerably more of your time.” — Justin Chang, Variety

Let’s Be Cops: “It’s just. awful. for most of its run time, content to squirm and squeal instead of explode with absurdities.” — Brian Orndorf, Blu-ray.com

Into The Storm: “Don’t get me wrong, I’m as willing to check my brain at the door and sumbit to an idiotic late-summer spectacle as the next person. But this funnel-cloud fiasco tries to suck up everything in its path, and just winds up sucking.” — Chris Nashawaty, Entertainment Weekly

Planes: Fire and Rescue: “This Disney cartoon is running on empty.” — Geoffrey Macnab, Independent