Author: Jeff Milner

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Say What Again

I’m a typographic artwork fan, a Quintin Tarrentino movie fan, and I really like motion graphic compositing projects, so, when I saw Jarratt Moody’s time-based typography assignment (at SCAD) based on Samual L. Jackson’s “Say What Again” dialogue from Pulp Fiction, I figured I couldn’t pass up the chance to share this:

The basic idea of the project is to take a piece of audio from wherever (movie, song, poetry reading, answering machine) and then represent that audio on screen using only typography.

Jarratt chose a famous bit of dialogue from Pulp Fiction as his subject matter. (Okay, what dialogue from Pulp Fiction isn’t famous?) The resulting piece is full of whimsy and style. Jarratt does some great things with scale and simple but effective camera movements. Get those headphones on and prepare yourself for several lashings of Samuel L. Jackson’s naughty tongue.

Say What Again by Jarratt Moody

Watch the piece | Visit Jarratt’s Site

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This American Life on Showtime

This American Life, one of my most favourite podcasts/radio-shows is coming to television.

What would a TV version of This American Life look like? And is making one even a good idea? Believe us, we’ve wondered all of that ourselves. But now we’re done, and we’re super excited. Our first season of half-hour episodes debuts March 22nd on Showtime. We wanted to make a TV show that feels like the radio show, but isn’t just the radio show on TV. Take a look and see what you think. Here’s a trailer we created for public radio station websites, just like this one.

Check out the teaser trailer.

Update: Here’s a second movie trailer.

And here’s an interview with Ira Glass about the new show on NPR’s Fresh Air.

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Queen Mary 2 Enters the Bay

Minimum Headroom

The Queen Mary 2, sailed smoothly into the San Francisco Bay on February 4th. It is the largest ship ever to have entered the Bay and it cleared the Golden Gate Bridge with about 30 feet of room.

Having just visited San Francisco last month, the photos and videos make me smile. I wish I would have been there to get some photos of my own.

SF Gate coverage.

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The Business of Marketing Weed

Medical Marijuana flag I saw in CaliforniaWhen I was in San Francisco last month, I came across this interesting sign outside a medical marijuana shop not far from City Hall. I didn’t really think about it much, other than the initial thought that it’s something I wouldn’t see at home, but apparently hocking medical marjuana is big business in California—so says the recent article,

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Happy Valentines Day

A special valentines day cartoon I came across today that is sure to put a smile on your face: Ah, L’Amour by Don Hertzfeldt.

“Ah, L’Amour” (1995) was produced during Don’s freshman year at UC Santa Barbara for a beginning production class, and was never intended to be screened publicly. The two minute 16mm short was somehow completed in just a few weeks despite Don having had little experience working with film; made most noticeable by the visible fingerprints all over the camera lens. By no small miracle, Don’s shaky guitar soundtrack — recorded solo in his dorm room on a broken down boom-box — somehow stayed in sync.”

From Bitterfilms.com

The movie initially saw limited action at film festivals because Don was embarassed by it. He was also afraid of being pelted with rocks by angry women, until screenings revealed that women usually cheered very loudly for the cartoon girls, and always applauded much louder than the men.

A few of the “evil women” in the film are crude caricatures of some of Don’s ex-girlfriends – drawn not so much out of bitterness but from the fact that he was running out of different hair styles to think up. No one could tell that Don drew caricatures because you can barely tell that Don drew people.

Luckily, the incredibly grungy look of the movie plays into its frustrated energy, so it appears as if it was made to look bad on purpose. Don usually stays very quiet whenever this is brought up.

“Ah, L’Amour” became a wildly popular cult film that gave Don the shot in the arm to begin pre-production on Genre. “L’Amour” was still playing the midnight movie circuit in 1998 when it was awarded the World Animation Celebration – HBO Comedy Arts Festival Grand Prize Award for the “World’s Funniest Cartoon” – and it continued to rerun at animation festivals for several years after.

Midnight audiences began a tradition of chanting along in loud unison to the cartoon’s dialogue captions – all the men chanting aloud the man’s lines, and the women chanting along with the women’s. It’s very spooky.

Our studio name, Bitter Films, comes from this film’s opening caption, “A Bitter Film by Don Hertzfeldt.

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Lost Backwards Message

The creators of the TV show Lost are often filling the shows with clues for the audience to figure out what the show is all about. I’ve never been able to follow the show—I guess that’s what happens if you try to jump in halfway through a season—but fans of the show may find this interesting.

In the scene where Karl is strapped to a chair in Room 23, there is a backwards message embedded in the audio. It’s pretty clear (at least in the reversed clip) and the person/people that made the clip wrote what it is your going to hear on the top of the clip, so no sense in saving it until after you’ve watched the video; the message, spoken by a woman, repeats the phrase, “Only fools are enslaved by time and space”.

Here is the scene forward and reverse:

And here is the same scene reversed with subtitle prompts:

I can’t vouch for the fact that the audio hasn’t been adjusted in any extra way (besides reversal).

Update: I checked the audio myself and it appears to be a legitimate reversal, though the audio was more clear in this version than in the version I flipped myself, but it was still there. (link to lost-s03e07-reversed-clip.mp3)