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bad review revue

The Bad Review Revue

Downhill: “‘Downhill’ depressingly spirals in the title’s direction.” — Roger Tennis, Cinemaclips.com

The Last Full Measure: “The Last Full Measure shoots itself in the foot. It may deserve a Purple Heart for that, but nothing much more.” — Kelly Vance, East Bay Express

Created Equal: Clarence Thomas in His Own Words: “Maybe silence was better.” — Frank Scheck, Hollywood Reporter

The Song of Names: “Mainly, this movie chatters when it should sing.” — Kate Taylor, Globe and Mail

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bad review revue

The Bad Review Revue

Dolittle: “Dolittle is a not a film. Dolittle is a crime scene in need of forensic analysis. Something happened here. Something terrible. Something inexplicable.” — Scott Tobias, NPR

Like a Boss: “Like a Boss is a truly terrible movie that wastes the talents of a good cast in material that would be beneath everyone with the exception of Rob Schneider.” — Matt Brunson, Creative Loafing

Star Wars: The Rise of Skywalker: “It’s a shell of a film, more machine now than ever. A twisted wreck of fan service, messy assembly of conveniences, lazy echoes and callbacks crashing into an aborted conclusion.” — Blake Howard, Dark Horizons

Cats: “Seeing Jennifer Hudson’s snot continue to glisten over her lips, refusing to be wiped away, made me Google, ‘Can you lose an Oscar?'” — Jordan Calhoun, Black Nerd Problems

Underwater: “By stealing everything from Ridley Scott’s 1979 classic [Alien], this watered down rip-off brings nothing new to the table. In the ocean, no one can hear you sigh.” — Asher Luberto, culturevulture.net

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bad review revue

The Bad Review Revue

Maleficent: Mistress of Evil: “An example of the most soul-sucking viewing that I’m forced to endure.” — Charles Koplinski, Illinois Times

Charles Angels “[F]orget heaven, these angels will take you to purgatory.” — Howell Davies, The Sun (UK)

21 Bridges: “21 Bridges is a movie that will almost immediately disappear, falling through the cracks as prestige pictures and holiday blockbusters fill up local screens…this is a bridge that likely won’t be crossed again.” — Allen Adams, The Maine Edge

Midway: “One of the best things Roland Emmerich has ever touched. This is not, as compliments go, a very good one.” — Tim Brayton, Alternate Ending

Last Christmas: “Leads have no chemistry. Jokes lame. Twist painful. Ho-ho-no.” — James Verniere, Boston Herald

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bad review revue

The Bad Review Revue

Rambo: Last Blood: “[It] is less an escapist action movie and more a dramatized manifestation of the most notorious sentences from Donald Trump’s presidential campaign announcement speech.” — Matthew Rozsa, Salon.com

The Addams Family: “There’s little fresh here and of the star-studded vocal cast only Oscar Isaac and (especially) Nick Kroll (Uncle Fester) get the spirit of their characters right. Worse, the very core of Addams Family magic – the highly charged eroticism of the Gomez and Morticia marriage combined with their offbeat parenting skills – is nowhere to be found.” — Laura Clifford, Reeling Reviews

Gemini Man: “The literal cinematic equivalent of ‘chasing your own tail'” — Don Shanahan, Every Movie Has a Lesson

Jexi: “Jexi is like Spike Jonze’s 2013 masterpiece Her, only dumb.” — Hope Madden, Columbus Underground

Lucy in the Sky: “Lucy in the Sky has no diamonds.” — Gary Wolcott, KXL-FM (Portland, OR)

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bad review revue

The Bad Review Revue

Overcomer: “There’s about half a movie in ‘Overcomer.’ The other half or so is a pretty half-hearted sermon. Neither half is particularly worthwhile, and the whole is cheap, cheesy, and, to put it charitably, churchy.” — Mark Dujsik, rogerebert.com

Charming: “Kids probably won’t pick up on the forced, pro-feminist theme here, but the film unspools like something that’s been politically corrected to within an inch of its life.” — Jim Schembri, 3AW

UglyDolls: “Points for honesty: most feature-length toy commercials aren’t so brazen as to actually make ‘buy toys’ the explicit driving force of the narrative.” — Tim Brayton, Alternate Ending

The Art of Racing in the Rain: “Unfortunately, ‘The Art of Racing in the Rain’ feels more like scraps than a juicy steak.” — Josh Terry, Deseret News

Where’d You Go, Bernadette: “Where’d you go, Bernadette? Eh, who cares.” — Benjamin Lee, The Guardian

Angel Has Fallen: “The franchise has fallen and it can’t get up.” —
Claudia Puig, FilmWeek

Don’t Let Go (Relive): “It would be bad enough for Relive to just be dumb. Unfortunately, though, it seems to think that its audience is as well.” — David Bax, Battleship Pretension

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bad review revue

The Bad Review Revue

The Lion King (2019): “Some of these remakes have been more inspired than others, but few have felt quite as futile as The Lion King. This isn’t the circle of life; it’s more like a creative dead end.” — Justin Chang, NPR

Stuber: “With apologies to Foghat, this latest effort is a slow ride; perhaps Stupor would have been a better title.” — Matt Brunson, Film Frenzy

The Secret Life of Pets 2: “Insert the obligatory you-can’t-teach-an-old-dog-new-tricks reference here, and even at 83 minutes, the three mini movies that are The Secret Life of Pets 2 struggle to keep the laughs going.” — Julie Crawford, North Shore News

Men in Black International: “One of those memory-erasing flashes would be nice right about now, please.” — Adam Graham, Detroit News

Aladin (2019): “In short, it’s a whole old world.” — Anthony Lane, New Yorker

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bad review revue

The Bad Review Revue

The Hustle: “Even with a running time of 93 minutes, The Hustle felt about an hour too long.” — Richard Roeper, Chicago Sun Times

Dumbo: “I felt warmly toward Dumbo, but not ‘Dumbo.'” — Michael Phillips, Chicago Tribune

Little: “Little is no Big.” — Max Weiss, Baltimore Magazine

The Intruder: “If the protagonists in this film were any more dense, they would only exist as a thick fog.” — Matt Brunson, Creative Loafing

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bad review revue

The Bad Review Revue

Venom: “Michelle Williams, near the very end, [says what] feels like the most sincere heartfelt thing anyone says in the entire movie: ‘I’m sorry about Venom.'” — Bob Chipman, Geek

The Grinch: “It accomplishes nothing more than what the 1966 adaptation accomplished, despite taking more than three times longer to do it. In short: You’re an unnecessary one, Mr. Grinch.” — Mike Scott, Times-Picayune

The Girl in the Spider’s Web: “Salander is still typing furiously and retains a taste for black clothes and vengeance, but her running and gunning now suggest a Goth cosplaying James Bond.” — Manohla Dargis, New York Times

Nutcracker and the Four Realms: “The only thing that younger and older audience members will be able to share here is a sense of boredom.” — Joey Magidson, Hollywood News

Nobody’s Fool: “I’m getting a headache from this movie.” — Korey Coleman, Double Toasted

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bad review revue

The Bad Review Revue

Night School: “Night School is a lesson that often feels more like punishment.” — Wenlei Ma, news.com.au

The Nun: “At one point a character rips a burial crucifix right out of the ground hoping it will ward off these malevolent forces; I’m beginning to think I need one of those for lacklustre horror films such as The Nun.” — Robert Kojder, Flickering Myth

Peppermint: “Peppermint is not some model of equality, it’s just violent escapism that happens to have a woman in the lead role.” — Lindsey Bahr, Associated Press

The Predator: “Watching this movie is as close to what I imagine going insane is like.” — Dan Murrell, Screen Junkies

Hell Fest: “You’ve seen it all before, and better: A blade to the chest, an axe to the leg, a syringe to the eye.” — Keith Uhlich, Hollywood Reporter

Categories
bad review revue

The Bad Review Revue

The Meg: “It’s not fun, it’s not serious, it’s not scary. It is stupid.” — Johnny Oleksinski, The New York Post

The Happytime Murders: “A few critics are calling it the worst movie of the year. Unfair! This R-rated look at a serial killer running wild in a puppet-populated L.A., has what it takes to be a contender for worst of the decade.” — Peter Traverse, Rolling Stone

Mile 22: “If the nonstop reign of skull crushing, eye gouging ultra violence isn’t enough to exhaust you entirely, trying to keep track of what’s important and why definitely will.” — Meg Downey, CBR

Jurassic World: Fallen Kingdom: “Is there any future in the Jurassic Park franchise? They were so preoccupied with whether or not they could, that they didn’t stop to think if they should.” — Clarisse Loughrey, That Darn Movie Show

Slender Man: “This tawdry, shoddy stinker is a movie of rare and total incompetence, literally unwatchable thanks to some of the worst cinematography in film history.” — Jim Lane, Sacramento News & Review