Underworld Awakening: “If you came for RealD 3-D throat ripping and gunshots to the head, you might leave somewhat satisfied. More likely, you’ll just want Ibuprofen and a refund.” — Teddy Durgin, screenit.com
One for the Money: “We’re meant to laugh at the fact that cute little Stephanie bumbles her way to getting one informant killed and another savagely beaten and thrown from a moving vehicle. Oh Stephanie, you’re a riot!” — Jeff Otto, cinemaobsession.com
Red Tails: “One can get away with a lot of cornball speeches a long time ago in a galaxy far, far away but it doesn’t work nearly as well a short time ago on planet Earth.” — James Berardinelli, reelviews
Man on a Ledge: “After an hour of this malarkey, you’re tempted to ask if there’s room for one more on that ledge.” — Steve Persall, St. Petersburg Times
Extremely Loud & Incredibly Close: “Extremely Loud and Incredibly Close could be more accurately described as Extremely Mawkish and Incredibly Irritating.” — Ethan Alter, Television Without Pity
Contraband: “‘Contraband’ aims to be dumb fun but gets only the first half right.” — Kyle Smith, New York Post