Chronotopic Anamorphosis

The following video was made in real time by dividing the screen into discrete but related horizontal lines with each line delayed by one frame more than the last.

The image is digitally manipulated by fragmenting it into horizontal lines and then combining lines from different frames in the display. The result is a distorsion of the figures caused by their motion in time, or, as Brazilian researcher Arlindo Machado calls it: chronotopic anamorphosis.

The effect was completely based on Zbigniew Rybczynski’s “The Fourth Dimension”, but transposed to Processing programming environment and performed in real-time.

The effect is mesmerizing—don’t miss the fascinating twirl as the subject slips through the door near the end.

[Chronotopic Anamorphosis from Marginalia Project – Vimeo]

(via)

Amazing Audio Illusion

Play this audio clip again after it finishes and hear it continue to “creep up”.

See Wikipedia’s entry on Shepard Tone for the full scoop.

A Shepard tone, named after Roger Shepard, is a sound consisting of a superposition of sine waves separated by octaves. When played with the base pitch of the tone moving upwards or downwards, it is referred to as the Shepard scale. This creates the auditory illusion of a tone that continually ascends or descends in pitch, yet which ultimately seems to get no higher or lower.

Coldplay Plagerizes?

I wasn’t going to go anyway, but Coldplay has cancelled the Winnipeg, Edmonton, and Calgary shows of their Viva La Vida tour. I know it has disappointed a couple of my friends. Sorry Canada, but Coldplay just doesn’t love you enough to make it to the boring middle parts of your country.

In other Coldplay news, the band Creaky Boards has posted a YouTube video accusing the lead singer of Coldplay, Chris Martin, of plagiarizing their song, “The Songs I Didn’t Write” when he wrote “Viva la Vida”.

The idea that a band as big as Coldplay would stoop to copying someone else’s melody seems unrealistic, nevertheless, this video seems pretty damning for Chris Martin. I’d be interested to hear Coldplay’s side of the story.

Update: Creaky Boards frontman Andrew Hoepfner has retracted his allegations of plagiarism.

Well, it appears that Chris was actually recording in London during my October show and Coldplay demoed Viva La Vida in March 2007, before I taught my band “Songs” in June 2007. What’s most likely is that both Chris and I were inspired by The Legend of Zelda’s “Fairy Theme”, causing us to write similiar songs in 2006. What a coincidince! I guess Nintendo’s the big winner. But isn’t it weird how in 2008, an independent artist can make something in their bedroom that receives almost as much attention as EMI’s biggest marketing push of the year?

My conclusion? At first when I read headlines about his retraction, I figured it was a pay-off, but now I think it’s probably just a coincidence.

Theresa Andersson Plays “Na Na Na” in Her Kitchen

Theresa Andersson plays all the instruments and does vocal looping on the fly as she sings “Na Na Na” in her kitchen.

Theresa recently recorded her newest album in her kitchen. The record was produced by Swedish singer-songwriter/producer Tobias Froberg (Peter Moren’s upcoming solo album) and mixed by Linus Larsson (Peter Bjorn and John, Mercury Rev.) Theresa played all the instruments on the album except for a duet with legendary New Orleans producer and composer Allen Toussaint (The Meters, Dr. John, The Band, Elvis Costello) and a duet with Norwegian singer Ane Brun.

Big Buck Bunny

I’ve played around in the open source 3D modelling software Blender a little bit. It may not be as fancy as the retail software on the market today, but if you compare it with versions of Maya or MAX from just a few years ago, it blows them out of the water.

A team of creative folks used the free software to make a short animated cartoon, Big Buck Bunny. They were funded by Blender foundation support and pre-orders of the DVD by the Blender community.

Big Buck Bunny Movie Poster

It’s licensed under the Creative Commons Attribution 3.0, so it’s free to watch and distribute so long as the credits are attached. Theoretically you could even download the source files, remix the movie and then sell it for a profit. Here is the original movie via YouTube:

Watch Big Buck Bunny now on YouTube or one of the many other official viewing options.

Displacements

Displacements is an immersive film installation by Michael Naimark. He first filmed three people interacting in a typical Americana living room. Then the space and objects were painted white. The camera was replaced with a projector putting the action and colour back into the room with just light. The results are surreal.

Displacements is an immersive film installation. An archetypal Americana living room was installed in an exhibition space. Then two performers were filmed in the space using a 16mm motion picture camera on a slowly rotating turntable in the room’s center. After filming, the camera was replaced with a film loop projector and the entire contents of the room were spray-painted white. The reason was to make a projection screen the right shape for projecting everything back onto itself. The result was that everything appears strikingly 3D, except for the people, who of course weren’t spray-paint white, and consequently appeared very ghostlike and unreal.

Unfortunately the video linked from Vimeo has been taken down, but you’ll find a video in the link above.

Weezer’s Pork and Beans Music Video

Mmmmmmm, Weezer’s new memelicious music video Pork and Beans is the best meme inspired creation ever.

Shot May 7-10 in North Hollywood, CA, this video features a cast of, well, many! And what a cast! An amazing group of well known “Youtube celebs” was tracked down and flown in so they could do their thing(s) with the Weezer men. Its pretty much impossible to properly describe what went down, so just have a look!

I particularly liked it when Rivers Cuomo embraces the “Leave Britney Alone” guy. If anyone was ever overdo for a hug, it’s Chris Crocker.

Update: Wired’s interview with the director.

Air Guitar Nation

This summer my family is holding their once-every-five-year reunion out near Mountain View, just on the eastern cusp of the Rocky Mountains. One of the things we’ll be doing is rocking out with a music jam. Not everyone in my family plays an instrument, so I suggested that those not playing should bring their air guitars. I figured just about everyone can play the air guitar, but it wasn’t until I saw the documentary, “Air Guitar Nation” did I truly know the depth and potential of the invisible instrument.

AIR GUITAR NATION is the feature documentary about the year that air guitar swept America – from New York to Los Angeles and then all the way to northern Finland. AIR GUITAR NATION chronicles the birth of the US Air Guitar Championships and the personal journeys of those talented contestants who are vying to become the first World Air Guitar Champion from the United States. Every August, the Air Guitar World Championships bring thousands of fans all the way to Oulu, Finland to see the world’s best air guitarists battle it out for 60 seconds of mock stardom. For years, the USA was missing in action. Enter the first official US Air Guitar Championships. What starts as a friendly contest above a New York strip club becomes a battle of naked ambition played out on the national and, ultimately, the world stage.

Here is a short clip from the movie, please enjoy as C. Diddy gives the most amazing air guitar performance you’ve ever seen:


[C. Diddy Air Guitar Nation – YouTube]

The Whitburn Project: 120 Years of Music

Using data from the Whitburn project, Andy Baio of Waxy.org just wrote an extensive entry about one-hit wonders and pop longevity.

For the last ten years, obsessive record collectors in Usenet have been working on the Whitburn Project — a huge undertaking to preserve and share high-quality recordings of every popular song since the 1890s. To assist their efforts, they’ve created a spreadsheet of 37,000 songs and 112 columns of raw data, including each song’s duration, beats-per-minute, songwriters, label, and week-by-week chart position. It’s 25 megs of OCD, and it’s awesome.

Did pop songs stay on the top 40 charts longer in decades past? Were there more one-hit-wonders in the 60’s, 70’s or 80’s? He’s done some great parsing of some really big data sets, and the results are very interesting.