The Library

Andrea began reading The Lion, the Witch and the Wardrobe to our kids this morning and my son, Ian, kept breaking out of the flow to ask Siri for the time.

“It’s 8:52am”
…
“It’s 9:07am”
…
“It’s 9:11am”

“Ian!? What is your deal? Do you have some kind of appointment?” He explained that today is Halloween and he was wondering how soon he could go trick-or-treating.

As luck would have it, my plans for the day offered their own distraction; we would go to the library. We’ve been doing this lately, mostly on weekends. It’s part of our routine: read (or be read to), workout, practice drawing or painting, play the ukulele or the guitar, and then go to the library. I’ve been trying to cultivate some good habits for both of us, all done for their own sake.

Ian loves the library. He begs and begs and begs, and I tell him not until all the other parts of our routine are done and then we head over to this third place where Ian immediately heads to the computers — we don’t play video games at home but I have decided that one hour of guilty pleasure1 Microsoft gaming is ok.

The library has monthly draws and it turns out that I had won two of them — an evening with author Emily Austin and a family day pass to the YMCA. At first I wasn’t sure that I wanted to spend our date night listening to someone talk about writing. Then I realized I watch YouTube clips about writing all the time, so why wouldn’t we go see an author in person?

In fact, just last night I had been watching this Taylor Tomlinson interview, which put me onto Bird by Bird by Anne Lamott. I started reading it after we got back from the library, and this passage struck me just right:

“But I still encourage anyone who feels at all compelled to write to do so. I just try to warn people who hope to get published that publication is not all that it is cracked up to be. But writing is. Writing has so much to give, so much to teach, so many surprises. That thing you had to force yourself to do—the actual act of writing—turns out to be the best part. It’s like discovering that while you thought you needed the tea ceremony for the caffeine, what you really needed was the tea ceremony. The act of writing turns out to be its own reward.”

It makes me think about my day, the workout, the ukulele, even the hour of Ultimate Chicken Horse. I’ve begun to realize everything is a tea ceremony.

  1. My guilt; his pleasure[↩]

Patrick Stewart Dies at 86

When I heard the news that Patrick Stewart died, I started thinking about one of my favourite episodes of Star Trek: The Next Generation, Season 5, episode 25: “The Inner Light”. In that episode, Captain Picard is struck unconscious by an energy beam from an alien probe which embroils Picard’s mind into experiencing the complete life of a alien man and his doomed civilization in the span of 25 minutes.

The YouTube channel Art of Storytelling provides a fantastic review of this remarkable episode and explains why it was so memorable (and also why Stewart is so good in it):

For more on Stewart’s death, Aaron Couch has a piece with The Hollywood Reporter:

Patrick Stewart, the sophisticated actor who brought a Shakespearean touch to Star Trek and X-Men as he made an otherworldly transformation from British stage veteran to sci-fi icon, has died. He was 86.

Stewart died Wednesday at his home in Los Angeles following “a brief and poignant journey with Alzheimer’s disease and Lewy body dementia,” longtime spokesperson Kelly Bush Novak announced.

Most Star Trek fans have their favourite captain. For me that was Picard because he was smart, wise, firm, curious, empathetic, and all around just awesome. By all accounts those same adjectives apply to Stewart himself.

Jason Kottke has more in his lovely write-up about Stewart.

(Previously: Patrick Stewart on the Extras)

Writer’s Strike Ends

From Cynthia Littleton, Kate Aurthur, Matt Donnelly, Gene Maddaus writing for Variety:

Hollywood heaves a sigh of relief. The WGA and major studios and streamers have reached a tentative agreement on a new three-year contract that promises to end the 146-day strike that has taken a heavy toll across the content industry.

Negotiators for the Writers Guild of America and Alliance of Motion Picture and Television Producers reached the finish line Sunday after five consecutive days of negotiations.

…

”What we have won in this contract – most particularly, everything we have gained since May 2nd – is due to the willingness of this membership to exercise its power, to demonstrate its solidarity, to walk side-by-side, to endure the pain and uncertainty of the past 146 days. It is the leverage generated by your strike, in concert with the extraordinary support of our union siblings, that finally brought the companies back to the table to make a deal,” the negotiating committee wrote in its message to members.

Now it remains to be seen how long it will take until my favorite shows are back in the air. As much as everyone hated the strike, good on the writers and their guild for sticking it out.

Meanwhile, the ongoing actors strike is entering its third month. So while late-night and daytime talk shows are expected to make a quick comeback, scripted shows that require actors will take longer to return.

On Writing Well

Earlier today I finished reading On Writing Well1, by William Zinsser. In it, Zinsser outlines not only what it takes to write well but also rouses ones love for writing. The book is great, it’s not only fun to read but inspires me to write.

Zinsser died in 2015, and at that time Open Culture honoured him by posting 10 tips from his book which is a worthy summary:

Zinsser stressed simplicity and efficiency, but also style and enthusiasm. Here are 10 of his many tips for improving your writing.

  1. Don’t make lazy word choices: “You’ll never make your mark as a writer unless you develop a respect for words and a curiosity about their shades of meaning that is almost obsessive. The English language is rich in strong and supple words. Take the time to root around and find the ones you want.”
  2. On the other hand, avoid jargon and big words: “Clear thinking becomes clear writing; one can’t exist without the other. It’s impossible for a muddy thinker to write good English.”
  3. Writing is hard work: “A clear sentence is no accident. Very few sentences come out right the first time, or even the third time. Remember this in moments of despair. If you find that writing is hard, it’s because it is hard.”
  4. Write in the first person: “Writing is an intimate transaction between two people, conducted on paper, and it will go well to the extent that it retains its humanity.”
  5. And the more you keep in first person and true to yourself, the sooner you will find your style: “Sell yourself, and your subject will exert its own appeal. Believe in your own identity and your own opinions. Writing is an act of ego, and you might as well admit it.
  6. Don’t ask who your audience is…you are the audience: “You are writing primarily to please yourself, and if you go about it with enjoyment you will also entertain the readers who are worth writing for.”
  7. Study the masters but also your contemporaries: “Writing is learned by imitation. If anyone asked me how I learned to write, I’d say I learned by reading the men and women who were doing the kind of writing I wanted to do and trying to figure out how they did it.”
  8. Yes, the thesaurus is your friend: “The Thesaurus is to the writer what a rhyming dictionary is to the songwriter–a reminder of all the choices–and you should use it with gratitude. If, having found the scalawag and the scapegrace, you want to know how they differ, then go to the dictionary.”
  9. Read everything you write out loud for rhythm and sound: “Good writers of prose must be part poet, always listening to what they write.”
  10. And don’t ever believe you are going to write anything definitive: “Decide what corner of your subject you’re going to bite off, and be content to cover it well and stop.”
  1. On Writing Well: The Classic Guide to Writing Nonfiction, first published in 1976, has sold almost 1.5 million copies to three generations of writers, editors, journalists, teachers and students.[↩]

Renay Mandel Corrien’s Obituary

Writing a great obituary takes talent. I love this one for Renay Mandel Corren written by her son Andy Corren.

Because she was my mother, the death of zaftig good-time gal Renay Corren at the impossible old age of 84 is newsworthy to me, and I treat it with the same respect and reverence she had for, well, nothing. A more disrespectful, trash-reading, talking and watching woman in NC, FL or TX was not to be found. Hers was an itinerant, much-lived life, a Yankee Florida liberal Jewish Tough Gal who bowled ’em in Japan, rolled ’em in North Carolina and was a singularly unique parent. Often frustrated by the stifling, conservative culture of the South, Renay turned her voracious mind to the home front, becoming a model stay at home parent, a supermom, really, just the perfect PTA lady, volunteer, amateur baker and-AHHAHAA HA! HA! HA! Just kidding, y’all!

(Via)

The Whistleblower Knows How to Write

Jane Rosenzweig, writing for The New York Times:

“I can’t tell you what’s going to happen to his blockbuster complaint about the president’s behavior, but I can tell you that the whistle-blower’s college writing instructor would be very proud of him.”

As a writing instructor myself for 20 years, I look at the complaint and see a model of clear writing that offers important lessons for aspiring writers”.

Rosenzweig’s breakdown makes me want to use this an illustrative guide in my classroom.

Barton Fink

After many years seeing it top lists of the Cohen Bros. best movies I finally saw Barton Fink streaming on Netflix and decided to watch it for the first time.

When it was done, I thought to myself — as many viewers of the movie apparently have, what was that all about? Luckily in 2018 I can do what viewers in 1991 (when the movie came out) could not do: Google it.

And to my delight, this Medium Article popped up, “Writers Come and Go”: 10 Reasons Why Barton Fink Is the Best Movie Ever Made About Writing.

Every semester, I show my Creative Writing 1 students the 1991 Coen Brothers film Barton Fink. Those students who are foolish enough to enroll in Creative Writing 2 (and unlucky enough to have me again for a teacher) watch it a second time in that course. Students always ask: “Why are we watching this?” This is a good question — I encourage my students to seek answers, and questioning authority has been my modus operandi since I was a child. I’m happy to discuss all of this.
[…]
Barton’s ego is the villain of this story. So convinced is he of his genius that he becomes blind to the desperate needs of everyone around him — Charlie, WP Mayhew, and Audrey. He fails to see his art as a tool to improve the world, and instead sees it only as a means of attracting praise. Therefore he fails as a writer. I don’t want my students to follow in his footsteps.

The movie is excellent and made all the better after reading the above analysis.

I wish I were a decent writer. This web page is about the closest thing I have for an outlet and I’m lucky if I can just whip something up once a month to kid myself into thinking this blog isn’t completely dead. Maybe this movie will be the inspiration I need to get back into blogging. Or maybe this entry will sit on the front page for the next year, symbolizing my own Barton Fink like writing block.

THE EMPIRE STRIKES BACK: EXTRA-SPECIAL EDITION

Somebody sent this to me on an old Intel voice / chat program many years ago (betcha didn’t know Intel used to make software). Anyway I came across it today and thought I’d share.

Interior shot: Bespin Gantry — moments later:

A furious lightsaber duel is underway. DARTH VADER is backing LUKE SKYWALKER towards the end of the gantry.

A quick move by Vader, chops off Luke’s hand! It goes spinning off into the ventilation shaft.)

Luke backs away. He looks around, but realizes there’s nowhere to go but straight down.

Darth Vader: Obi Wan never told you what happened to your father.

Luke: He told me enough! He told me you killed him!

Darth Vader: No… I am your father!

Luke: No, it’s not true! It’s impossible.

Darth Vader: Search your feelings… you know it to be true…

Luke: NO!

Darth Vader: Yes, it is true… and you know what else? You know that brass droid of yours?

Luke: Threepio?

Darth Vader: Yes… Threepio… I built him… when I was 7 years old…

Luke: No…

Darth Vader: Seven years old! And what have you done? Look at yourself, no hand, no job, and couldn’t even levitate your own ship out of the swamp…

Luke: I destroyed your precious Death Star!

Darth Vader: When you were 20! When I was 10, I single-handedly destroyed a Trade Federation Droid Control ship!

Luke: Well, it’s not my fault…

Darth Vader: Oh, here we go… “Poor me… my father never gave me what I wanted for my birthday… boo hoo, my daddy’s the Dark Lord of the Sith… waahhh wahhh!”

Luke: Shut up…

Darth Vader: You’re a slacker! By the time I was your age, I had exterminated the Jedi knights!

Luke: I used to race my T-16 through Beggar’s Canyon…

Darth Vader: Oh, for the love of the Emperor… 10 years old, winner of the Boonta Eve Open… Only human to ever fly a Pod Racer… right here baby!

Luke looks down the shaft. Takes a step towards it.

Darth Vader: I was wrong… You’re not my kid… I don’t know whose you are, but you sure ain’t mine…

Luke takes a step off the platform, hesitates, then plunges down the shaft.

Darth Vader looks after him.

Darth Vader: Get a haircut!