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animation entertainment

Pixar’s New Movie a Winner

I just read a “review on Cars” by Michael Howe and in case it’s hard to tell, I’m so excited to see this film I’m about to explode!

Cars

From the review:

It’s been over 1 ½ years since Pixar released their last film and — if anything — that last extra half-a-year has probably added to a growing eagerness to see this film. In this day and age, it’s difficult to find decent films, let alone those that will leave families feeling that their hard-earned money was well spent. For those who may be wondering, “Cars” is definitely worth it and more. Pixar has never talked down to their audiences, and it shows. The parents will get some of the jokes, and the kids will laugh at some, and then later — when they grow up — they’ll go “Oh, that’s what he meant.” I’m already planning to see it again with my friends when it comes out, and I know they’ll enjoy it as well. Personally, this is the first time this year I’ve been so eager to put down $9.50 to see a movie again!

Update: Ok, I went to see the show last night and I absolutely loved every minute of it. Actually there was one thing I did not love but I’ll get to that in a moment.

First off the technical aspects of the movie, (ie. the rendering and animation) are brilliant. Pixar has really outdone themselves on this one; if it wasn’t a great story, this movie would still be fun to watch just for the amazing imagery. The animation was also extremely well done. I love how something as stiff and inflexible as a car normally is can be turned into a living personality with feelings and emotions all the while keeping the cars realistic by not turning them into some kind of mushy mess.

You’ve also got to love the personalities in this movie. They all have their perfect place and I didn’t feel that any one character was overdone. I agree with Michael Howe’s review that Paul Newman did a particularly fantastic job as Doc Hudson, The Hudson Hornet. It was a magical moment seeing Doc race around the dirt track hitting that turn just right.

But the thing about this movie is that it’s FULL of magical moments. Every character has their moment and their chance to shine.

Now for the one thing that I did not love. I’m the kind of guy that occasionally likes to stay and watch the credits after a movie I liked has reached the end. For a Pixar movie, it’s a given that you’re going to stay to watch the cute “extra” jokes they through in at the end. I was particularly looking forward to it as I’ve heard from some of the early reviews that this movie has some good ones.

The credits came up and before they could even get going—SQUEEEEEEEERTCH! The focus went really bad as the film either jumped off its track or started to bunch up in the projector. Either way the show was over and I didn’t get to see the “post credits” jokes. I guess I’ll have something to look forward to the next time I watch Cars, because it’s worth seeing again. Seriously everyone who goes will love this movie—and if you don’t, well then, it’s time you started to let yourself feel again.

Oh I should also add the One Man Band short, while cute wasn’t nearly as memorable as the Boundin one from The Incredibles. Having said that, one pre-movie bit of entertainment that really stoked my fire was the sneak peak at Pixar’s Ratatouille (Apple Trailer) coming out in 2007.

Categories
animation

Elephants Dream

elephants dream

Elephant’s Dream is a computer animated movie, released on DVD format and online under a Creative Commons license. That means even if you’re living in the States where peer-to-peer file sharing makes you feel all icky with downloader’s remorse, you can aquire a copy of Elephants Dream and still feel like a good netizen the next day.

‘Elephants Dream’ is the result of almost a year of work, a project initiated and coordinated by the Blender Foundation. Six people from the Blender user/development community were selected to come over to Amsterdam to work together on an animated short movie, utilizing Open Source tools only.

I haven’t watched the completed film yet, but the Elephants Dream teaser is intriguing.

Categories
animation

John Lasseter Interviews

John Lasseter

I really enjoyed reading CNN Money’s interview with Pixar’s John Lasseter. The piece has the most extensive comments I’ve seen from Lasseter regarding the Pixar/Disney negotiations. My favourite quote is the comparison of Pixar taking over Disney Feature Animation being like Nemo swallowing a whale.

Categories
animation

Animation Lesson — Two Legged Full Bodied Characters

Animation Lesson — Two Legged Full Bodied Characters, has to be the most difficult lesson so far. I created what I thought was a pretty good rabbit, but upon comparison there were a lot of inconsistencies between mine and the original.

Cartoon Rabbit

I redrew the whole thing and then made new comparisons. Not much better so it’s rinse and repeat, and again and again and again.

What I find hard about my correction method, (perhaps some of the other students or even John K (the instructor) have some advice for me) is that when I start to look for inconsistencies, I begin to draw without using the “construction” technique (ie. turning basic shapes into more detailed shapes) but in more of a straight ahead method (ie. Just moving lines to look more like the finished product). Am I tackling the problem correctly, or should I also go back to construction method again when making corrections?

Anyway through trial and error I’ve got something that almost matches up but of course it certainly won’t win any awards:

Cartoon Rabbit

I don’t even want to show you the duck, but at least I can say this was only the first attempt:

Cartoon Duck

And here is the latest version of the duck:

Cartoon Duck

Categories
animation

Lesson 3 Part 2

animationIt took me quite a few attempts but even though it’s not perfect I’m ready to move on to the next lesson because I don’t want to fall behind. I started this one completely from scratch and I find it interesting how I kept making the same mistakes. I’ve pretty much cleaned up a lot of what was wrong before, but it’s amazing how the small differences continue to show up so dramatically in the animated overlay.

Categories
animation

Lesson 3 Part 1

In lesson three, John asks us to overlay our drawings on top of Preston Blair’s and identify differences. Here are mine:

John K's Lesson 3

Any other inconsistancies that I missed?

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animation

More From Lesson One

Here are some different angles of the bear from the first page of Preston Blair’s book. I did this set this morning and I’m going to start lesson three this afternoon.

Cartoon Bear

Categories
animation Art

Cartoon Drawings

Here are some more drawings in an attempt to improve my cartooning ability. Compare these with the lesson page.

Cartoon Moustache man

Cartoon Grandma

What I find so rewarding about these particular drawings, is that instead of looking at an original image in any given pose and replicating it (something I feel fairly confident at doing), here I am taking an original pose and changing it into other poses—it creates a stronger feeling of ownership even though they aren’t my characters.

Categories
animation Art

John Ks Online Preston Blair Animation Lesson 2 – Squash and Stretch

I’ve been having a great old time this afternoon drawing my heart out and listening to Clay Kaytis’s Animation Podcast.

Here is my page of drawings from John Kricfalusi’s Preston Blair animation lessons: Lesson 2 – Squash and Stretch:

Cartoon Squash and Stretch

Categories
animation

John Kricfalusi’s Online Preston Blair Animation Lessons

John Kricfalusi writes:

You can go to animation school, spend a $100,000 and not learn a damn thing about the basics of good animation drawing-OR you can buy a Preston Blair book for $8 and learn it all in a couple months. You pick.

Just about every cartoon being made today is based on the principles and style of cartoons made in Hollywood in the 1940s—Anime, Cartoon Network flat stuff—even the Simpsons. The only difference is, that some of the principles that make the classic stuff look so good have been lost. The new cartoons are all a degeneration of what cartoons once were—a superficial copy of them—even though many off the artists drawing today don’t even know they are copying—but copying wrong—styles and trends and principles of what developed from the animated cartoons of the Golden Age.

John feels that one of the best ways to learn is by studying master animator Preston Blair’s book, “Animation”.

I’m going to not only tell you about the Preston Blair Book—but I’m gonna guide you through it, fundamental concept by fundamental concept.

I decided to take a whirl at the first lesson, by drawing the cartoon characters from the book. Here are my first drawings:

Cartoon Dogs

My Sketchbook with images of cartoon animals

If you’re up to it, you can give the first lesson a try too. It’s easy when you follow the instructions.