The Hustle: “Even with a running time of 93 minutes, The Hustle felt about an hour too long.” — Richard Roeper, Chicago Sun Times
Dumbo: “I felt warmly toward Dumbo, but not ‘Dumbo.'” — Michael Phillips, Chicago Tribune
Little: “Little is no Big.” — Max Weiss, Baltimore Magazine
The Intruder: “If the protagonists in this film were any more dense, they would only exist as a thick fog.” — Matt Brunson, Creative Loafing
I’m lucky enough to be married to an extremely observant woman. While we were touristing around downtown Lahaina, Maui, my wife saw a poster for David Sedaris doing a show at the Maui Arts Center in just a few days. She knows I’m a fan and asked if I wanted to go. I was hesitant to put up the money just to hear an author read — but who am I kidding, I love David Sedaris and have since the first time I heard him on This American Life so many years ago.
It turns out, it was money well spent, because Mr. Sedaris didn’t take long before he was sharing his list of money making ideas.
I was in my Sussex kitchen not long ago squinting at what was either a pheasant or an armless troll racing across the road in front of the house when I got the idea for prescription windows.
It would be perfect for people like me who don’t want to wear glasses indoors and so I mentioned it to my friend Ingrid who said, “Oh, that’s brilliant.” She’s one of those women who will support you in just about anything you do. Slap some cheese between two slices of bread and it’s “My God, you’re amazing!” Calm down I sometimes want to say. I didn’t invent the sandwich — I just did what other before me have. This time though, I felt the praise was justified. And so, I put prescription windows on my list of million dollar ideas, realizing hours later that what works for me would not work for Hugh, or any of our frequent house guests who have different prescription problems or none at all. Still they might be good for a near-sighted loner who never has any company so I left them on the list. Right below cigarette butts with seeds in them.
And after a brief segue from some other million dollar ideas into stories about how cheap some people can be, he finished with a short digression about how his husband doesn’t like to admit how much he appreciates their wealth but that when it comes to million dollar ideas maybe his husband could give it a try. It was a brilliant story.
After the applause began to wane he slyly added, “You never want to say this before you read something… I wrote that today!”
Venom: “Michelle Williams, near the very end, [says what] feels like the most sincere heartfelt thing anyone says in the entire movie: ‘I’m sorry about Venom.'” — Bob Chipman, Geek
The Grinch: “It accomplishes nothing more than what the 1966 adaptation accomplished, despite taking more than three times longer to do it. In short: You’re an unnecessary one, Mr. Grinch.” — Mike Scott, Times-Picayune
The Girl in the Spider’s Web: “Salander is still typing furiously and retains a taste for black clothes and vengeance, but her running and gunning now suggest a Goth cosplaying James Bond.” — Manohla Dargis, New York Times
Nutcracker and the Four Realms: “The only thing that younger and older audience members will be able to share here is a sense of boredom.” — Joey Magidson, Hollywood News
Nobody’s Fool: “I’m getting a headache from this movie.” — Korey Coleman, Double Toasted
Night School: “Night School is a lesson that often feels more like punishment.” — Wenlei Ma, news.com.au
The Nun: “At one point a character rips a burial crucifix right out of the ground hoping it will ward off these malevolent forces; I’m beginning to think I need one of those for lacklustre horror films such as The Nun.” — Robert Kojder, Flickering Myth
Peppermint: “Peppermint is not some model of equality, it’s just violent escapism that happens to have a woman in the lead role.” — Lindsey Bahr, Associated Press
The Predator: “Watching this movie is as close to what I imagine going insane is like.” — Dan Murrell, Screen Junkies
Hell Fest: “You’ve seen it all before, and better: A blade to the chest, an axe to the leg, a syringe to the eye.” — Keith Uhlich, Hollywood Reporter
The Meg: “It’s not fun, it’s not serious, it’s not scary. It is stupid.” — Johnny Oleksinski, The New York Post
The Happytime Murders: “A few critics are calling it the worst movie of the year. Unfair! This R-rated look at a serial killer running wild in a puppet-populated L.A., has what it takes to be a contender for worst of the decade.” — Peter Traverse, Rolling Stone
Mile 22: “If the nonstop reign of skull crushing, eye gouging ultra violence isn’t enough to exhaust you entirely, trying to keep track of what’s important and why definitely will.” — Meg Downey, CBR
Jurassic World: Fallen Kingdom: “Is there any future in the Jurassic Park franchise? They were so preoccupied with whether or not they could, that they didn’t stop to think if they should.” — Clarisse Loughrey, That Darn Movie Show
Slender Man: “This tawdry, shoddy stinker is a movie of rare and total incompetence, literally unwatchable thanks to some of the worst cinematography in film history.” — Jim Lane, Sacramento News & Review
I’m really looking forward to the new Solo movie coming out later this month. Having Ron Howard as the director made the perfect opportunity for this Arrested Development Star Wars parody.
Rampage: “Johnson’s big opportunity for a memorable one-liner comes and goes with a sheepish ‘Well, that sucks.’ Touché, ‘Rampage.'” — J. Olson, Cinemixtape
I Feel Pretty: “The only thing you’ll feel after seeing I Feel Pretty is pretty damn crummy.” — AJ Caulfield, The Young Folks
Super Troopers 2: “It could almost be considered a subversive indictment of law enforcement, not to mention lowbrow humor. Almost, that is, if it were remotely funny.” — Pat Padua, Washington Post
Blumhouse’s Truth or Dare: “This gasser of a schlocky horror film should only be experienced on a dare.” — Courtney Howard, Fresh Fiction
Duck Butter: “It feels like we’re seeing the director’s cut of an IKEA commercial.” — Owen Gleiberman, Variety
Q. What does it take to think the unthinkable?
A. An ithberg.
The Mummy (2017): “You only have to watch the trailer to know that Producer-Director Alex Kurtzman’s reboot of Brendan Fraser’s once-charming mummy movies is full of embalming fluid.” — David Sims, The Atlantic
Pirates of the Caribbean: Dead Men Tell No Tales: “The subtitle of the new Pirates of the Caribbean movie is ‘Dead Men Tell No Tales.’ The moral of the movie, alas, is that the same cannot be said of dead franchises.” — Christopher Orr, The Atlantic
Baywatch: “Thank heaven for Dwayne Johnson, whose foot-wide smile will not be switched off, and who saves the life of the movie. Whether it deserves to be saved is another matter.” — Anthony Lane, The New Yorker
Snatched: “Snatched is a trip very much like the one it portrays: one that, in the end, does a pretty poor job of putting the ‘fun’ in ‘unrefundable’.” — Megan Garber, The Atlantic