Worth it for the license plate.
(via BoingBoing)
Update: The video below is actually a little more interesting and came out a few days after the top one. It’s a “deep fake” with Robert Downey Jr. inserted as Doc and Tom Holland playing Marty.
A collection of digital wonders and some other stuff.
Worth it for the license plate.
(via BoingBoing)
Update: The video below is actually a little more interesting and came out a few days after the top one. It’s a “deep fake” with Robert Downey Jr. inserted as Doc and Tom Holland playing Marty.
Dolittle: “Dolittle is a not a film. Dolittle is a crime scene in need of forensic analysis. Something happened here. Something terrible. Something inexplicable.” — Scott Tobias, NPR
Like a Boss: “Like a Boss is a truly terrible movie that wastes the talents of a good cast in material that would be beneath everyone with the exception of Rob Schneider.” — Matt Brunson, Creative Loafing
Star Wars: The Rise of Skywalker: “It’s a shell of a film, more machine now than ever. A twisted wreck of fan service, messy assembly of conveniences, lazy echoes and callbacks crashing into an aborted conclusion.” — Blake Howard, Dark Horizons
Cats: “Seeing Jennifer Hudson’s snot continue to glisten over her lips, refusing to be wiped away, made me Google, ‘Can you lose an Oscar?'” — Jordan Calhoun, Black Nerd Problems
Underwater: “By stealing everything from Ridley Scott’s 1979 classic [Alien], this watered down rip-off brings nothing new to the table. In the ocean, no one can hear you sigh.” — Asher Luberto, culturevulture.net
Twitter user @uzbadyubi had never seen, “The Princess Bride” and when he finally watched it1, live-blogged the whole thing creating this riveting twitter-thread:
https://twitter.com/uzbadyubi/status/1218630664754466817?s=21
Following along, it’s like watching the whole movie in less than 5 minutes. Check out the thread via Threadreader or on Twitter.
(via The Loop)
1. I do wonder though, did he continually pause the movie to take and post those screenshots?
McSweeney’s makes the case for war with Iran.
As one of the most important writers at one of the most important newspapers in the country, it’s my job to inform my readers why they should uncritically support the United States government’s most recent war. I understand that many of you might not want to get into another drawn out, costly conflict in the Middle East, particularly if you were one of the thousands of parents who had their kids die needlessly in the last few wars. But as someone whose kids won’t die fighting in the war, it’s important that you understand the flimsy, morally bankrupt justifications for war, and why it’s vital for you to throw more of your children’s lives at this one.
(via)
Maleficent: Mistress of Evil: “An example of the most soul-sucking viewing that I’m forced to endure.” — Charles Koplinski, Illinois Times
Charles Angels “[F]orget heaven, these angels will take you to purgatory.” — Howell Davies, The Sun (UK)
21 Bridges: “21 Bridges is a movie that will almost immediately disappear, falling through the cracks as prestige pictures and holiday blockbusters fill up local screens…this is a bridge that likely won’t be crossed again.” — Allen Adams, The Maine Edge
Midway: “One of the best things Roland Emmerich has ever touched. This is not, as compliments go, a very good one.” — Tim Brayton, Alternate Ending
Last Christmas: “Leads have no chemistry. Jokes lame. Twist painful. Ho-ho-no.” — James Verniere, Boston Herald
Rambo: Last Blood: “[It] is less an escapist action movie and more a dramatized manifestation of the most notorious sentences from Donald Trump’s presidential campaign announcement speech.” — Matthew Rozsa, Salon.com
The Addams Family: “There’s little fresh here and of the star-studded vocal cast only Oscar Isaac and (especially) Nick Kroll (Uncle Fester) get the spirit of their characters right. Worse, the very core of Addams Family magic – the highly charged eroticism of the Gomez and Morticia marriage combined with their offbeat parenting skills – is nowhere to be found.” — Laura Clifford, Reeling Reviews
Gemini Man: “The literal cinematic equivalent of ‘chasing your own tail'” — Don Shanahan, Every Movie Has a Lesson
Jexi: “Jexi is like Spike Jonze’s 2013 masterpiece Her, only dumb.” — Hope Madden, Columbus Underground
Lucy in the Sky: “Lucy in the Sky has no diamonds.” — Gary Wolcott, KXL-FM (Portland, OR)
Overcomer: “There’s about half a movie in ‘Overcomer.’ The other half or so is a pretty half-hearted sermon. Neither half is particularly worthwhile, and the whole is cheap, cheesy, and, to put it charitably, churchy.” — Mark Dujsik, rogerebert.com
Charming: “Kids probably won’t pick up on the forced, pro-feminist theme here, but the film unspools like something that’s been politically corrected to within an inch of its life.” — Jim Schembri, 3AW
UglyDolls: “Points for honesty: most feature-length toy commercials aren’t so brazen as to actually make ‘buy toys’ the explicit driving force of the narrative.” — Tim Brayton, Alternate Ending
The Art of Racing in the Rain: “Unfortunately, ‘The Art of Racing in the Rain’ feels more like scraps than a juicy steak.” — Josh Terry, Deseret News
Where’d You Go, Bernadette: “Where’d you go, Bernadette? Eh, who cares.” — Benjamin Lee, The Guardian
Angel Has Fallen: “The franchise has fallen and it can’t get up.” —
Claudia Puig, FilmWeek
Don’t Let Go (Relive): “It would be bad enough for Relive to just be dumb. Unfortunately, though, it seems to think that its audience is as well.” — David Bax, Battleship Pretension
The Lion King (2019): “Some of these remakes have been more inspired than others, but few have felt quite as futile as The Lion King. This isn’t the circle of life; it’s more like a creative dead end.” — Justin Chang, NPR
Stuber: “With apologies to Foghat, this latest effort is a slow ride; perhaps Stupor would have been a better title.” — Matt Brunson, Film Frenzy
The Secret Life of Pets 2: “Insert the obligatory you-can’t-teach-an-old-dog-new-tricks reference here, and even at 83 minutes, the three mini movies that are The Secret Life of Pets 2 struggle to keep the laughs going.” — Julie Crawford, North Shore News
Men in Black International: “One of those memory-erasing flashes would be nice right about now, please.” — Adam Graham, Detroit News
Aladin (2019): “In short, it’s a whole old world.” — Anthony Lane, New Yorker
Now don’t get me wrong, I love Elizabeth Warren and Kamala Harris. But as great as they and the other female candidates are, I think Democrats should be focusing more on a sure-fire nominee who can beat Trump. Electability should be our number one priority, and I’m just not sure if America is ready to embrace a female candidate yet — especially considering that Hillary Clinton only got three million more votes than Donald Trump in 2016.
The Hustle: “Even with a running time of 93 minutes, The Hustle felt about an hour too long.” — Richard Roeper, Chicago Sun Times
Dumbo: “I felt warmly toward Dumbo, but not ‘Dumbo.'” — Michael Phillips, Chicago Tribune
Little: “Little is no Big.” — Max Weiss, Baltimore Magazine
The Intruder: “If the protagonists in this film were any more dense, they would only exist as a thick fog.” — Matt Brunson, Creative Loafing